Box 3
Container
Contains 24 Results:
Box 3
1 — Box: 3
Identifier: Box 3
Scope and Contents
From the Series:
The first series is correspondence, which includes Catlett's personal and professional correspondence dating from 1959-1984 and reflects her relationship with her family, including her husband and artist Francisco Mora, sons Francisco Jr. and Juan. The majority of the correspondence is professional in nature and includes letters from admirers, museums, galleries and school personnel, as well as contracts, prices, and programs. The letters discuss lectures, exhibitions, commissions, honors,...
Dates:
Created: 1959-1984
Malcolm Brown Art Gallery, Shaker Heights, Ohio, 1981-1982, undated
File — Box: 3, Folder: 1
Identifier: Folder 1
Scope and Contents
From the Series:
The first series is correspondence, which includes Catlett's personal and professional correspondence dating from 1959-1984 and reflects her relationship with her family, including her husband and artist Francisco Mora, sons Francisco Jr. and Juan. The majority of the correspondence is professional in nature and includes letters from admirers, museums, galleries and school personnel, as well as contracts, prices, and programs. The letters discuss lectures, exhibitions, commissions, honors,...
Dates:
Created: 1981-1982, undated
Museums, galleries, and institutions, other, 1963-1981, undated
File — Box: 3, Folder: 2
Identifier: Folder 2
Scope and Contents
From the Series:
The first series is correspondence, which includes Catlett's personal and professional correspondence dating from 1959-1984 and reflects her relationship with her family, including her husband and artist Francisco Mora, sons Francisco Jr. and Juan. The majority of the correspondence is professional in nature and includes letters from admirers, museums, galleries and school personnel, as well as contracts, prices, and programs. The letters discuss lectures, exhibitions, commissions, honors,...
Dates:
Created: 1963-1981, undated
NAACP Legal Defense and Educational Fund, New York, N.Y., 1976
File — Box: 3, Folder: 3
Identifier: Folder 3
Scope and Contents
From the Series:
The first series is correspondence, which includes Catlett's personal and professional correspondence dating from 1959-1984 and reflects her relationship with her family, including her husband and artist Francisco Mora, sons Francisco Jr. and Juan. The majority of the correspondence is professional in nature and includes letters from admirers, museums, galleries and school personnel, as well as contracts, prices, and programs. The letters discuss lectures, exhibitions, commissions, honors,...
Dates:
Created: 1976
National Conference of Artists, Richmond, Virginia., 1980
File — Box: 3, Folder: 4
Identifier: Folder 4
Scope and Contents
From the Series:
The first series is correspondence, which includes Catlett's personal and professional correspondence dating from 1959-1984 and reflects her relationship with her family, including her husband and artist Francisco Mora, sons Francisco Jr. and Juan. The majority of the correspondence is professional in nature and includes letters from admirers, museums, galleries and school personnel, as well as contracts, prices, and programs. The letters discuss lectures, exhibitions, commissions, honors,...
Dates:
Created: 1980
Ninth National / International Sculpture Conference, New Orleans, Louisiana, 1975-1980
File — Box: 3, Folder: 5
Identifier: Folder 5
Scope and Contents
From the Series:
The first series is correspondence, which includes Catlett's personal and professional correspondence dating from 1959-1984 and reflects her relationship with her family, including her husband and artist Francisco Mora, sons Francisco Jr. and Juan. The majority of the correspondence is professional in nature and includes letters from admirers, museums, galleries and school personnel, as well as contracts, prices, and programs. The letters discuss lectures, exhibitions, commissions, honors,...
Dates:
Created: 1975-1980
New Orleans Museum of Art, New Orleans, Louisiana, 1983
File — Box: 3, Folder: 6
Identifier: Folder 6
Scope and Contents
From the Series:
The first series is correspondence, which includes Catlett's personal and professional correspondence dating from 1959-1984 and reflects her relationship with her family, including her husband and artist Francisco Mora, sons Francisco Jr. and Juan. The majority of the correspondence is professional in nature and includes letters from admirers, museums, galleries and school personnel, as well as contracts, prices, and programs. The letters discuss lectures, exhibitions, commissions, honors,...
Dates:
Created: 1983
New Visions Gallery, San Diego, California, 1980-1981
File — Box: 3, Folder: 7
Identifier: Folder 7
Scope and Contents
From the Series:
The first series is correspondence, which includes Catlett's personal and professional correspondence dating from 1959-1984 and reflects her relationship with her family, including her husband and artist Francisco Mora, sons Francisco Jr. and Juan. The majority of the correspondence is professional in nature and includes letters from admirers, museums, galleries and school personnel, as well as contracts, prices, and programs. The letters discuss lectures, exhibitions, commissions, honors,...
Dates:
Created: 1980-1981
Printmaking Workshop, New York, N.Y., 1977-1980
File — Box: 3, Folder: 8
Identifier: Folder 8
Scope and Contents
From the Series:
The first series is correspondence, which includes Catlett's personal and professional correspondence dating from 1959-1984 and reflects her relationship with her family, including her husband and artist Francisco Mora, sons Francisco Jr. and Juan. The majority of the correspondence is professional in nature and includes letters from admirers, museums, galleries and school personnel, as well as contracts, prices, and programs. The letters discuss lectures, exhibitions, commissions, honors,...
Dates:
Created: 1977-1980
Pyramid Gallery of Art, Detroit, Michigan, 1979-1980
File — Box: 3, Folder: 9
Identifier: Folder 9
Scope and Contents
From the Series:
The first series is correspondence, which includes Catlett's personal and professional correspondence dating from 1959-1984 and reflects her relationship with her family, including her husband and artist Francisco Mora, sons Francisco Jr. and Juan. The majority of the correspondence is professional in nature and includes letters from admirers, museums, galleries and school personnel, as well as contracts, prices, and programs. The letters discuss lectures, exhibitions, commissions, honors,...
Dates:
Created: 1979-1980