Box 2
Container
Contains 21 Results:
Box 2
1 — Box: 2
Identifier: Box 2
Scope and Contents
From the Series:
The first series is correspondence, which includes Catlett's personal and professional correspondence dating from 1959-1984 and reflects her relationship with her family, including her husband and artist Francisco Mora, sons Francisco Jr. and Juan. The majority of the correspondence is professional in nature and includes letters from admirers, museums, galleries and school personnel, as well as contracts, prices, and programs. The letters discuss lectures, exhibitions, commissions, honors,...
Dates:
Created: 1959-1984
Harlem Art Collection, New York, N.Y., 1977
File — Box: 2, Folder: 1
Identifier: Folder 1
Scope and Contents
From the Series:
The first series is correspondence, which includes Catlett's personal and professional correspondence dating from 1959-1984 and reflects her relationship with her family, including her husband and artist Francisco Mora, sons Francisco Jr. and Juan. The majority of the correspondence is professional in nature and includes letters from admirers, museums, galleries and school personnel, as well as contracts, prices, and programs. The letters discuss lectures, exhibitions, commissions, honors,...
Dates:
Created: 1977
Highland Park Community College, Detroit, Michigan, 1979
File — Box: 2, Folder: 2
Identifier: Folder 2
Scope and Contents
From the Series:
The first series is correspondence, which includes Catlett's personal and professional correspondence dating from 1959-1984 and reflects her relationship with her family, including her husband and artist Francisco Mora, sons Francisco Jr. and Juan. The majority of the correspondence is professional in nature and includes letters from admirers, museums, galleries and school personnel, as well as contracts, prices, and programs. The letters discuss lectures, exhibitions, commissions, honors,...
Dates:
Created: 1979
Howard University, Washington, D.C.: Art Seminar, 1977
File — Box: 2, Folder: 3
Identifier: Folder 3
Scope and Contents
From the Series:
The first series is correspondence, which includes Catlett's personal and professional correspondence dating from 1959-1984 and reflects her relationship with her family, including her husband and artist Francisco Mora, sons Francisco Jr. and Juan. The majority of the correspondence is professional in nature and includes letters from admirers, museums, galleries and school personnel, as well as contracts, prices, and programs. The letters discuss lectures, exhibitions, commissions, honors,...
Dates:
Created: 1977
Howard University: "Charter Day", 1977
File — Box: 2, Folder: 4
Identifier: Folder 4
Scope and Contents
From the Series:
The first series is correspondence, which includes Catlett's personal and professional correspondence dating from 1959-1984 and reflects her relationship with her family, including her husband and artist Francisco Mora, sons Francisco Jr. and Juan. The majority of the correspondence is professional in nature and includes letters from admirers, museums, galleries and school personnel, as well as contracts, prices, and programs. The letters discuss lectures, exhibitions, commissions, honors,...
Dates:
Created: 1977
Howard University: Hospital, 1978-1979
File — Box: 2, Folder: 5
Identifier: Folder 5
Scope and Contents
From the Series:
The first series is correspondence, which includes Catlett's personal and professional correspondence dating from 1959-1984 and reflects her relationship with her family, including her husband and artist Francisco Mora, sons Francisco Jr. and Juan. The majority of the correspondence is professional in nature and includes letters from admirers, museums, galleries and school personnel, as well as contracts, prices, and programs. The letters discuss lectures, exhibitions, commissions, honors,...
Dates:
Created: 1978-1979
Howard University: Moorland - Spingarn Research Center, 1974-1978
File — Box: 2, Folder: 6
Identifier: Folder 6
Scope and Contents
From the Series:
The first series is correspondence, which includes Catlett's personal and professional correspondence dating from 1959-1984 and reflects her relationship with her family, including her husband and artist Francisco Mora, sons Francisco Jr. and Juan. The majority of the correspondence is professional in nature and includes letters from admirers, museums, galleries and school personnel, as well as contracts, prices, and programs. The letters discuss lectures, exhibitions, commissions, honors,...
Dates:
Created: 1974-1978
Howard University: "Students Aspire" Statue, 1975-1977
File — Box: 2, Folder: 7
Identifier: Folder 7
Scope and Contents
From the Series:
The first series is correspondence, which includes Catlett's personal and professional correspondence dating from 1959-1984 and reflects her relationship with her family, including her husband and artist Francisco Mora, sons Francisco Jr. and Juan. The majority of the correspondence is professional in nature and includes letters from admirers, museums, galleries and school personnel, as well as contracts, prices, and programs. The letters discuss lectures, exhibitions, commissions, honors,...
Dates:
Created: 1975-1977
Howard University: "Students Aspire" Statue, 1978
File — Box: 2, Folder: 8
Identifier: Folder 8
Scope and Contents
From the Series:
The first series is correspondence, which includes Catlett's personal and professional correspondence dating from 1959-1984 and reflects her relationship with her family, including her husband and artist Francisco Mora, sons Francisco Jr. and Juan. The majority of the correspondence is professional in nature and includes letters from admirers, museums, galleries and school personnel, as well as contracts, prices, and programs. The letters discuss lectures, exhibitions, commissions, honors,...
Dates:
Created: 1978
Illinois State University, Normal, Illinois, 1974-1979
File — Box: 2, Folder: 9
Identifier: Folder 9
Scope and Contents
From the Series:
The first series is correspondence, which includes Catlett's personal and professional correspondence dating from 1959-1984 and reflects her relationship with her family, including her husband and artist Francisco Mora, sons Francisco Jr. and Juan. The majority of the correspondence is professional in nature and includes letters from admirers, museums, galleries and school personnel, as well as contracts, prices, and programs. The letters discuss lectures, exhibitions, commissions, honors,...
Dates:
Created: 1974-1979