Box 1
Container
Contains 26 Results:
Box 1
1 — Box: 1
Identifier: Box 1
Scope and Contents
From the Series:
The first series is correspondence, which includes Catlett's personal and professional correspondence dating from 1959-1984 and reflects her relationship with her family, including her husband and artist Francisco Mora, sons Francisco Jr. and Juan. The majority of the correspondence is professional in nature and includes letters from admirers, museums, galleries and school personnel, as well as contracts, prices, and programs. The letters discuss lectures, exhibitions, commissions, honors,...
Dates:
Created: 1959-1984
Alabama Agricultural and Mechanical University, Normal, Alabama, 1976-1979
File — Box: 1, Folder: 1
Identifier: Folder 1
Scope and Contents
From the Series:
The first series is correspondence, which includes Catlett's personal and professional correspondence dating from 1959-1984 and reflects her relationship with her family, including her husband and artist Francisco Mora, sons Francisco Jr. and Juan. The majority of the correspondence is professional in nature and includes letters from admirers, museums, galleries and school personnel, as well as contracts, prices, and programs. The letters discuss lectures, exhibitions, commissions, honors,...
Dates:
Created: 1976-1979
Archives of American Art, Houston Texas, 1979-1980
File — Box: 1, Folder: 2
Identifier: Folder 2
Scope and Contents
From the Series:
The first series is correspondence, which includes Catlett's personal and professional correspondence dating from 1959-1984 and reflects her relationship with her family, including her husband and artist Francisco Mora, sons Francisco Jr. and Juan. The majority of the correspondence is professional in nature and includes letters from admirers, museums, galleries and school personnel, as well as contracts, prices, and programs. The letters discuss lectures, exhibitions, commissions, honors,...
Dates:
Created: 1979-1980
Artist, Art Scholars, and Admirers, 1959-1976
File — Box: 1, Folder: 3
Identifier: Folder 3
Scope and Contents
From the Series:
The first series is correspondence, which includes Catlett's personal and professional correspondence dating from 1959-1984 and reflects her relationship with her family, including her husband and artist Francisco Mora, sons Francisco Jr. and Juan. The majority of the correspondence is professional in nature and includes letters from admirers, museums, galleries and school personnel, as well as contracts, prices, and programs. The letters discuss lectures, exhibitions, commissions, honors,...
Dates:
Created: 1959-1976
Artist, Art Scholars, and Admirers, 1977-1983, undated
File — Box: 1, Folder: 4
Identifier: Folder 4
Scope and Contents
From the Series:
The first series is correspondence, which includes Catlett's personal and professional correspondence dating from 1959-1984 and reflects her relationship with her family, including her husband and artist Francisco Mora, sons Francisco Jr. and Juan. The majority of the correspondence is professional in nature and includes letters from admirers, museums, galleries and school personnel, as well as contracts, prices, and programs. The letters discuss lectures, exhibitions, commissions, honors,...
Dates:
Created: 1977-1983, undated
Black Scholar, Sausalito, California, 1975-1980
File — Box: 1, Folder: 5
Identifier: Folder 5
Scope and Contents
From the Series:
The first series is correspondence, which includes Catlett's personal and professional correspondence dating from 1959-1984 and reflects her relationship with her family, including her husband and artist Francisco Mora, sons Francisco Jr. and Juan. The majority of the correspondence is professional in nature and includes letters from admirers, museums, galleries and school personnel, as well as contracts, prices, and programs. The letters discuss lectures, exhibitions, commissions, honors,...
Dates:
Created: 1975-1980
The British Council, London, U.K., 1970-1971
File — Box: 1, Folder: 6
Identifier: Folder 6
Scope and Contents
From the Series:
The first series is correspondence, which includes Catlett's personal and professional correspondence dating from 1959-1984 and reflects her relationship with her family, including her husband and artist Francisco Mora, sons Francisco Jr. and Juan. The majority of the correspondence is professional in nature and includes letters from admirers, museums, galleries and school personnel, as well as contracts, prices, and programs. The letters discuss lectures, exhibitions, commissions, honors,...
Dates:
Created: 1970-1971
Brockman Gallery, Los Angeles, California, 1969-1978
File — Box: 1, Folder: 7
Identifier: Folder 7
Scope and Contents
From the Series:
The first series is correspondence, which includes Catlett's personal and professional correspondence dating from 1959-1984 and reflects her relationship with her family, including her husband and artist Francisco Mora, sons Francisco Jr. and Juan. The majority of the correspondence is professional in nature and includes letters from admirers, museums, galleries and school personnel, as well as contracts, prices, and programs. The letters discuss lectures, exhibitions, commissions, honors,...
Dates:
Created: 1969-1978
Collectors, other, 1964-1982, undated
File — Box: 1, Folder: 8
Identifier: Folder 8
Scope and Contents
From the Series:
The first series is correspondence, which includes Catlett's personal and professional correspondence dating from 1959-1984 and reflects her relationship with her family, including her husband and artist Francisco Mora, sons Francisco Jr. and Juan. The majority of the correspondence is professional in nature and includes letters from admirers, museums, galleries and school personnel, as well as contracts, prices, and programs. The letters discuss lectures, exhibitions, commissions, honors,...
Dates:
Created: 1964-1982, undated
College of Wooster, Wooster, Ohio, 1981
File — Box: 1, Folder: 9
Identifier: Folder 9
Scope and Contents
From the Series:
The first series is correspondence, which includes Catlett's personal and professional correspondence dating from 1959-1984 and reflects her relationship with her family, including her husband and artist Francisco Mora, sons Francisco Jr. and Juan. The majority of the correspondence is professional in nature and includes letters from admirers, museums, galleries and school personnel, as well as contracts, prices, and programs. The letters discuss lectures, exhibitions, commissions, honors,...
Dates:
Created: 1981