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Woodruff, Hale (Hale Aspacio), 1900-1980

 Person

Dates

  • Existence: 1900-1980

Biographical Statement

Hale Woodruff was a printmaker, draftsman, painter, and educator, who served on the faculty of Atlanta University and established the university's art program, as well as on the faculty of New York University.

Hale Aspacio Woodruff was born the only son to George and Augusta Woodruff on August 26, 1900, in Cairo, Illinois. He and his mother moved to Nashville, Tennessee, after the death of his father. Woodruff had an interest in art, but was denied art education due to segregation. He did, however, serve as cartoonist on his high school newspaper.

After graduating from high school in 1918, Woodruff studied at the Herron Art Institute in Indianapolis, Indiana. He studied landscape painting under William Forsyth while at Herron and served as a cartoonist for The Indianapolis Ledger, an African American newspaper. Woodruff also studied briefly at the Art Institute of Chicago.

In 1926, Woodruff received a bronze award from the Harmon Foundation for his painting The Old Women, which allowed him to study abroad. He left for France in 1927 and, during his time there, made a pilgrimage to Henry Ossawa Tanner, which had a profound effect on Woodruff. After living in France for four years, he joined the faculty of Atlanta University (later Clark Atlanta University) in 1931. As the first art instructor at the university, Woodruff promoted the art department greatly, which became a center for young Black artists. He began the Atlanta University Art Annuals (1942-70), a series of twenty-nine national art exhibitions for African American artists. The development of the university's historic collection of African American art was also due in great part to Woodruff's efforts.

Woodruff's early work reflected his exposure to cubism while living in France during the late 1920s and early 1930s. He was also influenced by Mexican muralist Diego Rivera, with whom he studied. The landscapes of the segregated south led him embrace a regionalist style popular during that era. Woodruff completed three mural series: The Amistad Mutiny for Talladega College, The Negro in California History for the Golden State Mutual Life Insurance Company in California (in collaboration with Charles Alston), and the Art of the Negro at Clark Atlanta.

In 1946, Woodruff moved to New York, where he taught at New York University until his retirement in 1968. In 1963, he and Romare Bearden established a weekly discussion group for African American artists called Spiral. While the group only lasted three years, it laid the groundwork for the Black Arts Movement of the 1960s and 1970s. Woodruff served as the chair of the visual arts committee for the United States exhibition at the First World Festival of Negro Arts in Dakar, Senegal.

In 1934, Woodruff married Theresa Ada Barker, a teacher from Topeka, Kansas. The couple had one son, Roy, the following year. Hale Woodruff died in New York City on September 6, 1980.

Citation:
Author: Christopher Harter
Citation:
Gates, Henry Louis Jr and Evelyn Brooks-Higginbothom. African American National Biography. (New York: Oxford University Press, 2008).

"Hale Woodruff." The New Georgia Encyclopedia, http://www.georgiaencyclopedia.org/nge/Article.jsp?id=h-1039 (Accessed 2 February 2011).

Found in 4 Collections and/or Records:

Countée Cullen papers

 Collection — Container: Drawing of Cullen
Identifier: 111
Scope and Contents The papers of poet and playwright Countee Cullen document his personal and professional lives, as well as his relations with leading writers and artists of the Harlem Renaissance era. Among the papers, which measure 11.9 linear feet, are correspondence; accounts, records, documents, legal papers, and certificates; a fragmentary diary (1928); teaching plan books and other teaching records; writings, including, articles, a book review, letters to editors, juvenile novels, plays, poems, a...
Dates: Created: 1900-1947; Other: Date acquired: 01/01/1970

Hale Woodruff letters

 Collection
Identifier: 2469
Scope and Contents The Hale Woodruff letters consist of 30 handscript letters, dating from 1973 to 1978, from African American artist Hale Woodruff to his former student Mary Parks Washington. In 1973, Washington wrote to Woodruff to request one of his prints; their correspondence developed over the next five years into a a business relationship, with Washington acting as Woodruff's West Coast agent for sales of his prints. Much of the correspondence concerns the sale of Woodruff's prints and Washington's role...
Dates: Created: 1973-1978; Other: Date acquired: 08/07/1991

Hale Woodruff papers

 Collection
Identifier: 395
Scope and Contents The papers of Hale A. Woodruff document Woodruff's life and career as an artist, educator, and art collector. The collection includes correspondence, invitations, writings by and about Woodruff, photographs, greeting cards with art by Woodruff, and collected items. Correspondence includes incoming and outgoing letters filed in chronological order, dated from 1927 to 1985. Posthumous letters are mostly from or to his wife, Theresa. A small portion of the correspondence is with Woodruff's...
Dates: Created: 1865-1985

Theresa A. Woodruff papers

 Collection
Identifier: 711
Abstract

The Theresa A. Woodruff papers document to limited degrees the social life of Woodruff late in her life, as well as the career of her husband, African American artist Hale Woodruff.

Dates: Created: 1938-1988; Other: Date acquired: 02/01/1989

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Subject
African American artists 2
African American gays 1
African American poets -- Archives 1
Certificates 1
Correspondence 1